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I think that coming into that process without a bias of how the new standard would impact an existing product line was useful, since it freed me up to think more broadly about the problems developers will face working with a new protocol, so I decided to focus on building tools that will be useful to other developers as they need to test and debug their products. When the MIDI Manufacturers Association reached the point where the new standard was ready to be implemented for real, they approached us to see if weвЂ™d be interested in joining the group of companies building prototypes. Since then, weвЂ™ve always remained involved in this industry, and have worked on projects for many of those heavy hitters. As an independent, external tech consultancy, why and how is Art+Logic involved?Д«rett Porter: rt+Logic was founded in the early 90s by three developers who had worked together at Hybrid Arts, a company that old-timers might remember as having made a DAW that ran on the Atari 1040 ST. MusicTech: MIDI has traditionally been a standard thatвЂ™s relied heavily on co-operation between MI big hitters. In this Q&A, learn what MIDI 2.0 does, learn the new terminology, discover how it will make your life easier, and when we can expect to see instruments that take advantage of it. HeвЂ™s also a trained composer with a Masters in Electronic Music and has been developing MIDI systems since 1997. To explain more, we had a chat with Brett Porter, Lead Engineer at Art+Logic, the only independent developers involved in the new standard. However, thereвЂ™s a new kind of MIDI in town: MIDI 2.0 and it could be about to make your life in the studio a lot easier. And, considering itвЂ™s been in commercial use since 1982, the standard has survived incredibly well.

MIDI, the Musical Instrument Digital Interface conceived by YamahaвЂ™s Ikutaro Kakehashi and Dave Smith (and others), is one of the most familiar acronyms in the studio vernacular.

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